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Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

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In 12-TET, you don’t define your intervals by tidy ratios of whole numbers. Instead, you divide up the octave into twelve equally-sized semitones (the interval between two adjacent piano keys or guitar frets). You then add semitones together to make all the other intervals. To go up a semitone from any note, you multiply its frequency by the 12th root of two. To go down a semitone from any note, you divide its frequency by the 12th root of two. If you go up by an octave (12 semitones), you’re multiplying your frequency by the 12th root of two 12 times, which works out to two.

Patrick McGuire is a writer, musician and human man. He lives nowhere in particular, creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.

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Dub music producers like King Tubby and Lee “Scratch” Perry played the Space Echo almost as if it were its own instrument. On Augustus Pablo’s song “555 Dub Street,” Lee Perry uses the Space Echo on the melodica and turns what most consider a harsh, uninviting instrument into something lush and layered.

Hailing from Peru, Lara Nuh is known for mixing Afro-Peruvian rhythms, traditional flute sounds, with house beats. Her first single, “Rumba De Muerte,” is a deep house jam perfect for that late summer celebrity-tinged pool party you’ve definitely never been to. The use of traditional chants as a rhythmic element is especially tasty, I find. I especially love her Sofar performance in Lima. I feel that her ability to move between different elements, while keeping this sense of traditional Peruvian music flowing through everything she’s doing, is really excellent.

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