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Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

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Hungry for music charity rating

Yet, part of the job of a book like this is to challenge you with new, scientific information about how sound works and help you wrap your head around it in practice. And this book does that admirably, covering topics ranging from psychoacoustics, cabling and different signal types, gain staging, and new developments in digital audio production. Mastering the information here will help you make better recordings and better mixes all around and provide you with the satisfaction of a mind expanded.

Welcome back to our interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft. Join our weekly email newsletter to get more insights like this into how professional artists are making music and how you can apply those lessons to your own music.

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