Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.
I’ll let you in on an industry secret: Most voiceovers you hear on adverts, movies, and TV shows have been recorded by a pro voiceover talent from their home. How do I know this? Because I’ve personally set up a substantial amount of the country’s top voiceover talents’ studios in New York City over the last ten years. Unless you want to build a booth in a spare room (which I would recommend but it can get pricey), it’s usually easier and cheaper to use the tools you already have.
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Got 10 minutes to learn about the history of the drum kit as we know it today? We talk about how individual drums, players, and genres helped the kit evolve.
That was the beginning of my journey toward understanding the complexity of audio work and, more specifically, about the role of mastering in the recording process. Having performed music live for years and having dabbled in the studio, I understood that both used mixing; but I had never heard of mastering. How is it different than mixing? Why is it needed? Why didn’t my mixing engineer just do that work for us? I went looking for the answers.
“Wait, we’re musicians, we don’t write agendas.” Ok, but that’s a great way to ensure you don’t get anything done. Being a good musician sometimes requires a little business sense, and I’ve found a clear agenda can really help. Knowing exactly what order we’re going to record in can make the whole thing so much smoother and more efficient. And laying it out a week in advance gives your bandmates and engineer a chance to prepare, make suggestions, or consider alternate approaches.
There’s no arguing with this point. It’s science. The dot-com boom geeks who wanted you to have all the world’s music for free were clever enough to deploy basic concepts in psychoacoustics, or the study of how the brain interprets sound, in the architecture of the MP3 format. A quick-and-dirty summary of the compression processes at play includes the use of minimum audition thresholds, and simulated masking and bit/sample-rate management via the Nyquist-Shannon Theorem to discard any sonic information that doesn’t contribute meaningfully to a human’s listening experience.
Touring is great. But it can very quickly turn into exhaustive, monotonous work. Here are 10 great tips to keep things interesting and fun on the road.
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+ Learn more on Soundfly: Deepen your production and composition relationship with Ableton Live in our various courses that use the software, such as Beat Making in Ableton Live, Making Realistic MIDI Strings, Live Clicks and Backing Tracks, and Any Sound Will Do (sampling and stitching). Check out our full course offerings here.
Here are seven of the most common mistakes I see young producers make when adding reverb into their mixes, and how to prevent yourself from making them.
Pope Joy Hall houses many international acts. It’s the one place where you can see Irish dance, A Tribute to the Beatles, The Book of Mormon, or solo Jack White all under the same roof. Put it simply: The acts that perform here are usually world renowned and worth the ticket price.
A true hub of all things hip-hop entertainment, Hip Hop Wired covers it all, including news, politics, and tech — so you can get all your favorites in one place.
So, the Institute has collected and kept enormous records of French radio and television broadcast archives since since the 1960s. These archives are available online and are viewed and listened by people of all ages and walks of life every single day. The archives are currently only available online, and the majority of this collection remains unexplored.